Category: Blog

Nestaweya means “three points” in Cree. Locally, it represents The Forks and the great rivers that brought the Cree, Ojibwe and Lakota peoples together.

Curated by Andrew Balfour and Mel Braun and conducted by Braun, Dead of Winter celebrates water, women as water-keepers and the pre-settler roots of Winnipeg with a concert featuring the poetry of katherena vermette (Winnipeg-based Metis poet, acclaimed novelist and activist), set to music by Indigenous composers Melody McKiver, Ian Cusson and Andrew Balfour. The audience is in for a special experience with readings by vermette, teachings/songs by Indigenous Song-keepers Laura Horton, Taylor Galvin, and Ellen Cook and ceremony with voice, crystal bowls and percussion. 

Dead of Winter is proud that Nestaweya will be the first choral concert at the new Desautels Concert Hall, Sunday, October 20 at 3 PM at the University of Manitoba. Lots of free parking available!

Special thank you to concert sponsors Winnipeg 150, City of Song

Buy your tickets HERE!

About katherena vermette
Born in Winnipeg, her Michif roots on her paternal side run deep in St. Boniface, St. Norbert and beyond. Her maternal side is Mennonite from the Altona and Rosenfeld area (Treaty 1).

In 2013, her first book, North End Love Songs (Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her novels The Break (House of Anansi) and The Strangers and The Circle (Hamish Hamilton) were all national best sellers and won multiple literary awards.

Her fourth novel, real ones (Hamish Hamilton) was released Sep 2024.

Vermette’s work for children and young adults includes the picture book, The Girl and The Wolf (Theytus) and graphic novel series, A Girl Called Echo (Highwater).

She holds a Master of Fine Arts from the University of British Columbia, and an honourary Doctor of Letters from the University of Manitoba.

katherena lives with her kids – fur and human – in a cranky old house within skipping distance of the temperamental Red River.

An excerpt from ziibiwan (like a river) by katherena vermette

1.

she is
born atop
a long lake
called Traverse
rises between
two territories
Dakota
Anishnaabe
she is
both
and neither

her modest beginnings
in the south
more like a creek
gentle but
she pushes
ever north
she is
border
road
source
saviour

she is
river
like
and not

An excerpt from river woman by katherena vermette

this river is a woman
she is bright
and she is beautiful
she once carried
every nation here
but she is
one of those women
too soon forgotten
broken like a body
that begs without words
only rough hands
that reach out
palms up

About Taylor Galvin
Taylor is a proud member of Brokenhead Ojibway Nation in Treaty 1 Territory. Taylor is an award-winning Environmental Studies graduate, water protector, land guardian, land-based educator, and Mother Earth advocate. She is pursuing a master’s degree at the University of Manitoba, examining the importance of Indigenous storytelling and oral traditions in the protection of Lake Sturgeon. Outside of school, Taylor is the Director for the Brokenhead Wetland Ecological Reserve, graduate rep for The Wildlife Society-MB Chapter, and knowledge keeper on the Indigenous Advisory Circle for the Manitoba Museum.

About Laura Horton
Laura Horton, Giniwikwe, Tulita Dene Anishinaabekwe, is a community member of Manidoo Bawatigoong, Rainy River First Nation, ON. She was born and raised in Treaty 3. She is a life time educator, gr 1-university, Midekwe, Water Walker and advocate and medicine harvester. She is a mom, Kokum and Aanikoobijigan. She is also a quilter, beader, storyteller, hand drum singer and creative worker. Her life is full serving Anishinaabeg and allies.

About Ellen Cook
Ellen Cook was born and raised at Grand Rapids. In her 18^th year, Manitoba Hydro dammed the Rapids and a way of life was lost. Gone were the singing waters that lulled generations of children to sleep, gone was the river which was her people’s source for fishing, hunting, and gathering of medicines. Ellen went on to become a school teacher, inspiring thousands of children with her wisdom and languages. A language keeper, she speaks at least six languages, and now advocates for her people in their ongoing struggle with Manitoba Hydro. To quote Ellen, “when you turn on the lights at your home tonight, don’t thank Manitoba Hydro. Rather think of a people whose way of life was irreparably lost”.

The Desautels Concert Hall is a state-of-the art, intimate performance venue in the heart of the Fort Garry campus. With its stunning architecture, superior acoustics, optimal sightlines and a configurable stage for a variety of performances, it is the University of Manitoba’s showpiece venue.

Parking
Nestled next to the historic Tache Hall, the Desautels Concert Hall’s entrance is on Maclean Crescent. The entrance is marked with the iconic Forever Bicycles sculpture by celebrated Chinese artist Ai Wei Wei. There is ample free parking for events after 4:30 PM and on weekends, just a short stroll from the venue. 

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The 2024 Winnipeg Baroque Festival begins on April 14th at 3 PM at the Crescent Arts Centre with our concert, Of Countertenors and Consorts. Curated by John Wiens, co-conducted by the dynamic duo of Andrew Balfour and Mel Braun, and featuring top Canadian countertenor Daniel Cabena and the Cardinal Consort of Viols, a consort of four viol da gambas, we will present works from the Elizabethan Renaissance alongside new works by Juno nominee Andrew Balfour and Carmen Braden.

CONCERT SPONSORS: Drs. Bill Pope and Elizabeth Tippett Pope

Buy your tickets at www.winnipegbaroquefestival.com!

About Daniel Cabena
Daniel Cabena sings, plays, writes, and teaches. He is also a curator of texts and music, and with Luke Hathaway he shares the artistic direction of ANIMA Early Music. Together they program concerts, commission new works of text and music, and create new works for the ear and for the stage.

To his work of curation and creation, Daniel brings a background in early music and liturgical music scholarship; an interest in how music functions in different performance contexts and traditions; and a curiosity about the ‘why’ of music, as well as its ‘how’.

Daniel teaches singing and historically-inspired performance at the Laurier Academy of Music & Arts (LAMA), where he also leads the Community Consort, a multi-instrumental, multidisciplinary community of practice and inquiry.

Daniel’s music-making and teaching are informed by the Alexander Technique, in which field he is a teacher. He also makes music with his hands, playing modern and Baroque violin, as well as vièle, viola da gamba, and recorders.

Daniel holds an Honours Bachelor of Music from Wilfrid Laurier University and a Doctorate of Music from l’Université de Montréal. He is a past recipient of the Bernard Diamant and Virginia Parker Prizes from the Canada Council for the Arts, and he holds a Master in Specialized Early Music Performance from the Schola Cantorum in Basel, Switzerland.

Buy your tickets at www.winnipegbaroquefestival.com!

About the Cardinal Consort of Viols
For well over a decade, the Cardinal Consort of Viols has been bringing exquisite music of the 16th and 17th centuries to Southern Ontario audiences, performed on the type of instrument for which it was written, the viola da gamba.

The consort has presented its own annual Thanksgiving Eve concerts and has been hosted by several concert series including Conrad Grebel’s (University of Waterloo), Music Mondays, Toronto Early Music Centre’s Musically Speaking, and the concert series of the Associates of the Toronto Symphony. Cardinal Consort has also performed with several choirs, among them the Grand Philharmonic Chamber Singers, Toronto Chamber Choir, and Tallis Choir. The consort has twice been the guest ensemble of the Toronto Continuo Collective and has also given many popular and engaging performances and demonstrations at the Toronto Early Music Fair. Recent Cardinal performances include last season’s multi-concert tour with the gifted and versatile countertenor Daniel Cabena, and featuring a plague-themed programme, To Our Great Joy. 

This season, the Consort will collaborate again with Daniel, in A Nest of Byrds, a new project in honour of the 400th anniversary of the 1623 death of composer William Byrd, with concerts in Toronto, Kitchener-Waterloo, and on Hamilton’s Hammer Baroque series. Cardinal Consort is pleased to be joining Dead of Winter in Of Countertenors and Consorts (and we are happy to have you!!)

Buy your tickets at www.winnipegbaroquefestival.com!

About Mel Braun
Music Director Mel Braun is a long-time baritone soloist, known for his work in Early Music with Tafelmusik and Opera Atelier, his New Music explorations with Banff Centre and Groundswell, and his Art Song projects focusing on the works of Schubert and Wolf. Professor of Voice at the Desautels Faculty of Music, where he also directs the Opera Ensembles, Mel has seen many of his students go on to professional careers as performers, teachers, and Arts Administrators. He has been with DOW since 2010, specializing in workshopping and directing the premieres of new works by Andrew Balfour. When not teaching or directing, Mel is an avid Bombers/Jets fan, with a keen interest in the local pop music scene, many of whose young singers he continues to mentor.

About Andrew Balfour
Of Cree descent, Andrew Balfour is an innovative composer/conductor/singer/sound designer with a large body of choral, instrumental, electro-acoustic and orchestral works. Andrew’s works have been performed and/or broadcast locally, nationally, and internationally. He has been commissioned by the Winnipeg, Regina, Calgary and Toronto Symphony Orchestras, Roomful of Teeth, Tafelmusik, Ensemble Caprice, Groundswell, the Winnipeg Jazz Orchestra, Musica Intima, the Toronto Mendelssohn Choir, the Winnipeg Singers, and the Kingston Chamber Choir, among others. Andrew Balfour is also the founder and Artistic Director of the innovative vocal group Dead of Winter (Camerata Nova Inc.), now in its 26th year of offering a concert series in Winnipeg. With Dead of Winter, Andrew Balfour specializes in creating “concept concerts,” including a series of three Truth and Reconciliation events (Taken, Fallen, Captive, Notinikew, and Transformation), exploring themes through an eclectic array of new works, arrangements and inter-genre and interdisciplinary collaborations. Andrew is passionate about music education and outreach, particularly on northern reserves and inner-city schools where he has worked on behalf of the National Arts Centre, Dead of Winter, the Winnipeg Symphony Orchestra and various Winnipeg school divisions. Andrew was Curator and Composer-in-Residence of the WSO’s inaugural Indigenous Festival and, in 2017, he was awarded a Gold Medal by the Senate of Canada for his contribution to Canada’s Indigenous and music communities.

Buy your tickets at www.winnipegbaroquefestival.com!

Buy your tickets at www.winnipegbaroquefestival.com!

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WINNIPEG, MB – The 3rd annual Winnipeg Baroque Festival, slated for April 14th through 21st, 2024, is set to provide Winnipeg music lovers with a buffet of musical offerings from the city’s best choirs and instrumentalists. 

“The Winnipeg Baroque Festival strives to build a sense of community celebrating music from the past and showcasing it in exciting and new perspectives,” says Festival artistic director Andrew Balfour. “Dedicated to showcasing and collaborating with musicians from across the musical spectrum in Manitoba and beyond, the Festival’s mandate is to provide access to some of the most glorious music in the musical canon to all in the community.”

Over the course of a week, the Festival is set to present nine concerts that run the gamut from the choral music that formed the foundation of the Festival in its first two years to instrumental offerings, which will be making their debut in this year’s Festival.

“We are so happy to be presenting a concert of instrumental music on period instruments for the first time at the Winnipeg Baroque Festival,” says Winnipeg violinist Momoko Matsumura. “Ancient composers’ intentions are timeless and if there’s anything the world needs in 2024, it’s a moment to unplug, put your life on ‘silent mode’ for a couple of hours and experience a real moment of shared humanity.”

Buy your tickets at www.winnipegbaroquefestival.com!

The 2024 Winnipeg Baroque Festival will begin on April 14th at 3pm at the Crescent Arts Centre in Osborne Village with Of Countertenors and Consorts, a concert presented by one of the Festival’s founding ensembles, Dead of Winter. Curated by John Wiens, co-conducted by the dynamic duo of Andrew Balfour and Mel Braun, and featuring top Canadian countertenor Daniel Cabena and a consort of four viol da gambas (like a cello but with frets and more strings in soprano, alto, tenor, and bass ranges), the ensemble will present works from the Elizabethan Renaissance alongside new works by Juno nominee Andrew Balfour and Carmen Braden.
Read more about Of Countertenors and Consorts

Buy your tickets at www.winnipegbaroquefestival.com!

At 7pm, audiences are invited to the College Chapel of St. John the Evangelist at the University of Manitoba to hear An English Restoration featuring the music of English Baroque masters performed by All the King’s Men. This concert is one of four in the Festival that are pay-what-you-can, making the music of the 17th and 18th centuries even more accessible!

The Festival resumes on Thursday, April 18th at 7:30pm for Mirrors. This concert features male quintet Proximus 5, who are making their return after a smashing debut in the 2023 Festival. They will be sharing a unique program of French and German Renaissance music inside the historic St. John’s Anglican Cathedral in Winnipeg’s North End. This concert also features NUOVOCE, one of Manitoba’s newest choral ensembles who will present repertoire that offers contemporary commentary on music from five centuries earlier. This concert is also being presented on a pay-what-you-can basis!

The second weekend of the Festival kicks off the following night, April 19th at 7:30pm, with another pay-what-you-can offering! The All Saints Anglican Church Choir invites you to Ascension Vespers in the historic All Saints Anglican Church, just across the street from the Manitoba Legislature on Broadway! This program, presented in the traditional Evensong format, will feature two beloved Baroque masterworks – J.S. Bach’s “Ascension Oratorio” and Dietrich Buxtehude’s “Magnificat”. 

Saturday, April 20th, promises to be the busiest single day in the history of the Winnipeg Baroque Festival. Three distinctive concerts by three Festival newcomers will be presented across the city, starting at 11am with the Canadian Mennonite University Festival Players. Their concert is entitled Cantatas, Cambers, Claviers & Coffee, which features solo offerings by two students in CMU’s Faculty of Music, along with a community ensemble presenting J.S. Bach’s beloved “Coffee Cantata”! This concert will take place in the Great Hall of CMU’s picturesque North Campus, and will also offer fitting refreshments for concertgoers!

Not to be outdone, the Royal Canadian College of Organists, Winnipeg Chapter will be adding their annual Bach Marathon to this year’s festivities. Hosted at Young United Church in West Broadway, this concert includes an open sign-up for performers of all instrument types to share their favourite Bach music. The best part – the event will be hosted by none other than J.S. Bach himself along with his wife, Anna Magdelena! 

Music fans will want to finish off their evening back at All Saints Anglican Church just down the street to hear the first-ever instrumental ensemble to play at the Winnipeg Baroque Festival! Comprised of violinists Momoko Matsumura and Tatiana Friesen, violist Jennifer Thiessen, cellist Nathaniel Froese, organist Theresa Thordarson, and guitarist John Himes, the group will share a program entitled Fidem in Fidibus (Faith in Fiddles), featuring music by well-known Baroque composers like Heinrich Ignaz Franz Biber to underperformed gems, including a piece by the first-ever female Baroque composer to be featured in the Festival, Isabella Leonarda. 

The final day of the Winnipeg Baroque Festival (April 21st) will start at 3pm at St. Andrews River Heights United Church with a concert by one of Winnipeg’s leading classical music artists, violinist Karl Stobbe. Karl’s program is entitled Sei Solo (To Be Alone), and it features well-known Baroque violin works by Bach alongside Canadian works that speak into the Baroque repertoire, including a world premiere by Quebec composer Michael Oesterle! 

What better way to close out the 2024 Winnipeg Baroque Festival than with a celebration, and festival co-founders, Canzona has cooked up a humdinger! They invite you to Knox United Church at 7pm in downtown Winnipeg for 35! A Choral Celebration, commemorating the ensemble’s 35th season with performances of Bach and Handel, along with an original commission by Pulitzer Prize-winning composer Caroline Shaw. This concert will be led by new conductor Elroy Friesen, and will also feature a concert of alumni members performing an excerpt from Bach’s beloved “B Minor Mass” conducted by the ensemble’s founding director, Henry Engbrecht! 

“The festival is expanding every year and I hope Winnipeg audiences will hear music that is new to them,” says Matsumura. “There is a growing interest in historically-informed Baroque music performances among musicians and singers right here in our city, and the Winnipeg Baroque Festival is at the centre of it!”

“The Festival looks forward to bringing this passionate and exciting music for many years to Winnipeg audiences,” adds Balfour. “We’re even more excited to be doing so with the support of the local musical community, which is continuing to establish Winnipeg’s reputation as a cultural capital of the world.”

Buy your tickets at www.winnipegbaroquefestival.com!

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An unprecedented collaboration between Winnipeg choirs who are passionate about Baroque music.

Canzona and Dead of Winter join forces to present the 2023 Winnipeg Baroque Festival. With three concerts and a week full of special events, you won’t want to miss this exciting addition to the Winnipeg arts scene!

Click below for Monteverdi Vespers Program

MONTEVERDI VESPERS PROGRAM for Saturday, April 15, 2023

April 15, 2023 / 7:30 PM — Dead of Winter presents Claudio Monteverdi’s Vespers of 1610 at the Crescent Art Centre.

Claudio Monteverdi’s Vespers is one of the most revolutionary pieces of early classical music to date. This ambitious performance, by Dead of Winter under the artistic direction of John Wiens, represents a landmark event in the history of period early music in Winnipeg.
 
Monteverdi’s Vespers will feature top early music soloists from across Canada including, Jane Fingler, Soprano; Dayna Lamothe, Soprano; Karla Ferguson, Alto; Tim Shantz, Kerry Bursey, Kyle Briscoe, Tenor; Scott Braun, Paul Bruch-Wiens, Jereme Wall, and  Jonathon Adams, Bass; 14 powerful Manitoba choristers; and 14 specialized instrumentalists from across Canada playing period instruments such as cornettos, sackbuts, theorbo, and portative organ.

Special thank you to Monteverdi Vespers concert sponsors Drs. Bill Pope and Elizabeth Tippet Pope.

Published in 1610 and organized into thirteen movements spanning an impressive ninety minutes, the Vespers is one of the earliest large-scale masterpieces of the Western world, connecting music loving audiences across artistic styles, cultures, and eras. Indeed, Monteverdi was the radical composer of his time, moving from brilliant, traditional Renaissance music to creating the controversial, more expressive style we now call Baroque. His Vespers paved the way for all tonally centered music we have come to know and love in our modern venues and concert halls.

What makes the Vespers a work of such distinction? It is dance-like, with showy operatic elements and flashy moments of virtuosity. Though its individual movements are inspired by the biblical psalms, the Vespers are enjoyable and accessible to secular and sacred audiences alike. Comfortable as both a performer and composer, Monteverdi wrote the Vespers for the musician as much as the listener, a work of sophisticated musical language that might be one of the best gateway drugs to early music there is. Think Handel’s Messiah one hundred and fifty years before Handel was even a thought; Claudio Monteverdi was something of a Jimmy Hendrix, transforming people’s idea of what instruments could do and music could be. 

Why should we care about Vespers, in Manitoba? In fact, there is a burgeoning early music scene right here in Winnipeg. With a well-established choral music scene on the national and international stage, Winnipeg is steadily growing as a hub for early music performance. A performance of Monteverdi’s choral works, which require a certain calibre of vocal prowess and skill, would represent a landmark performance of early music on a local stage. Indeed, choral singing is a balm for the soul. This musical expression is core to Manitoba’s history and has proven to be a unifying art form amidst Manitoba’s complex and multi-generational identities.
 
“It’s extremely important to our audiences to have a live experience of this kind of music,” says Andrew Balfour, Dead of Winter’s Artistic Director, and Canada’s leading Indigenous composer of contemporary classical music. “For us, part of our mandate is to present high-level choral music, and Monteverdi’s Vespers is one of the earliest masterpieces in the Western world. It doesn’t get any better than this for Manitobans.”
 
Balfour’s own artistic journey embodies two radically different identities that come to the fore through his involvement in early music performances like this one. Though he grew up as a choir boy at the All Saints Anglican Church in Winnipeg, Manitoba, Balfour was also a child of the Sixties Scoop. His artistic sensibilities have been shaped by these unique realities of his upbringing, each one holding tension with the other though absolutely vital to his life as an artist. Indeed, Balfour credits seminal early music works like the Vespers as foundational to his love for and success as the contemporary musician and composer he is today.
 
“Early music like this has helped me understand choral composition better. The cool thing is that whatever we do today as choral groups goes back to that. Haydn taught Mozart, Mozart taught Beethoven, and it’s just a continuous chain of influence across history. We’re always learning from the past to make the future fuller. All this music has continued to teach me what I want to write, as I strive to tell the stories of my Indigenous heritage through this medium.”

April 19, 2023, at 7:30 PM — Join Proximus 5 for “A Proximus Baroque” at St. Margaret’s Anglican Church (160 Ethelbert Street) in the heart of Wolseley.

In observance of the 400th anniversary of William Byrd’s death, this program will feature several of his most profound works. Byrd’s Mass for five voices will serve as the centrepiece of the program, interspersed with works by Bach, Handel, Lotti, Monteverdi, Pitoni, and Purcell.

April 22, 2023 / 7:30 PM — The Winnipeg Symphony Orchestra joins Canzona for Bach’s longest and most musically complex motet, Jesu Meine Freude at the Crescent Art Centre.

Alongside this famous masterpiece, you will experience sparkling presentations of Bach’s more rarely-heard motet, “O Jesu Christ, meins Lebens Licht,” and Handel’s “The Ways of Zion Do Mourn” sung by some of Winnipeg’s finest choristers under the baton of Artistic Director, Kathleen Allan.

Visit winnipegbaroquefestival.com for more information.

FULL FESTIVAL PASSES and individual concert tickets are available HERE.

We look forward to seeing you at the festival!

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Andrew Balfour’s Captive, which debuts this Friday, May 13th at the West End Cultural Centre, mines the depths of human vulnerability, portraying, through original vocal and instrumental compositions, the Indigenous body and spirit held captive by a colonialist way of life. It is a challenging story to tell and a difficult one for Settler audiences to hear, but the aim of the Captive concert is empowering the storyteller and engaging the listener through a shared experience of music and poetry. Though the centerpiece of the program is Andrew Balfour’s original composition “Captive,” which tells the story of Chief Poundmaker’s imprisonment in Stony Mountain Penitentiary during the 19th century, the program is fortified by an exceptional lineup of work and performances by Indigenous women. 

“This program is a statement on real truth-telling,” says Captive curator/composer Andrew Balfour. “The unique thing about it is that there are so many Indigenous voices featured, and especially women, which is a crucial reminder of the fact that there are still so many murdered and missing Indigenous women in this country.”

“This program is a statement on real truth-telling,” says Captive curator/composer Andrew Balfour. “The unique thing about it is that there are so many Indigenous voices featured, and especially women, which is a crucial reminder of the fact that there are still so many murdered and missing Indigenous women in this country.”

The lineup includes performances by Indigenous violist Melody McKiver, featured in Balfour’s “Captive,” as well as young Oji-Cree vocalist Keely McPeek as narrator for “Selkirk Avenue,” an earlier work of Balfour’s based on a poem of the same name by Metis poet Katherina Vermette.

“I’m very excited to have the opportunity to perform Andrew’s work Selkirk Avenue at the Captive concert,” comments McPeek. “Art and music are such important avenues in working towards reconciliation; I’m honored to play any part I can in the effort.”

“Woman,” a choral piece by Haida/Cree singer-songwriter Kristi Lane Sinclair, is featured in the first half and sets a poignant tone for the concert. Sinclair is part of a new wave of cross-genre Canadian Indigenous artists and her musical roots fuse rock, folk, and classical. 

The second half of the program features the world premiere of “Same Wave, Same Sea” by internationally recognized Indigenous composer/cellist Cris Derksen. “Same Wave, Same Sea” portrays another kind of captivity that is no stranger to any of us, that of isolation during a global pandemic.

A softer, though no less poignant tone is added to the program in the Metis fiddle tunes performed by Manitoba fiddler Alexandre Tétreault. Alexandre blends these traditions with polka, foxtrot, and the most beautiful waltzes.

“There is a heavy relationship between Metis and the Cree and Ojibwe people of the Red River Valley,” says Andrew. 

Through music and poetry, Captive roots the ugly truth of the Canadian Indigenous experience in the here and now, naming the injustices committed against Indigenous peoples as belonging to the present as much as the past. In naming this cultural oppression, however, the Captive program is an effort to plant something larger than hurt: a conversation that might move towards reconciliation and hope. 

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Coming off the high of this weekend’s festivities, it is with some heaviness that we make this announcement. Most of you may already be aware of the recent weather statement issued for Manitoba as a Colorado low approaches our region. Due to the precarity of these upcoming weather conditions, we have decided to postpone the St John Passion performance with the Pacific Baroque Orchestra, originally scheduled for this Friday, April 15. We are, of course, disappointed in this turn of events, but we would like to emphasize that we are not canceling the St John Passion performance. This event is very near and dear to our hearts, and we fully intend to present it at a later date that does not jeopardize the safety of our audience and performers. We are currently working to finalize this new date and will loop you in with all the details at your earliest convenience.

In the meantime, we greatly appreciate your patience and understanding as we navigate this stormy situation. The show must—and will—go on, so stay tuned!

Dead of Winter, Canzona, and Polycoro,
Winnipeg Baroque Festival Organizers

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